âaccumulationâ or âcompression of forcesâ or âresistanceâ and âliberationâ or âeruption of forcesâ. General glossary reminder: No leg gestures for the startling.
GLOSSARY This gestural motif combines the two basic motifs of the dance: “accumulation” or “compression of forces” or “resistance” and “liberation” or “eruption of forces”.
2
2
1
music
The flow is contained during the accumulating. The shifting forward (rocking forward) of the pelvis relates to breathing in.
accumulation
music
accumulation
1
While the left foot is supporting the weight, the pelvis moves forward, successively straightening up the torso. Malkovsky called the feeling of that movement an “undulation”. While releasing the energy through the spin, the torso moves gradually back to a vertical position.
liberation
liberation
General glossary reminder: No leg gestures for the startling
The rotation of the head leads to that of the torso and results in the pivot turn.
tasted fine cool dew and felt it underfoot and on your naked Sizin. You must have encountered the movement of the flames, and the winds, the swell of the great ...
âcall to freedomâ, âfightâ or âlibertyâ, but the choreography was also inspired by a folkloric theme: a game of seduction, with a flower in one's hand. 151 ...
It is up to performers to find the harmonies between this dance dream and bodily ... all reveal a form of dance that epitomizes the early twentieth century.
Trained as a dancer at the Zurich Ballet Academy and the New York City ... danced at the YON-Tanztheater, at the Zurich Theatre and has taken part in many.
showed me what I had to seek.â ... âThe one whose dancing was all Prayer, Love and Joy will dance no more. Relentless ... Her painful life has come to an end.
of the 20th Century, the certainty of this intransmissibility was all the stronger as this .... ideas, a specifically early twentieth century style, and to pass on a subtle, ...
ground, the wild beast, Saint Francis, the wild geese, the weeping willow, the flames. These could form the subject of a second notation. The demands made by ...
The repeat of bars 85-100 of the musical score is not played; the bars have been notated without taking this repeat into account. The repeat of bars 133-147 is ...
in english) in front of the class. It will be mostly based on one ... Authors@Google: Joseph Stiglitz (2006): Nobel Prize-winning economist. Joseph Stiglitz speaks ...
R mambo, run back L,R,L, R coaster step , step L, pivot ¼ turn R, cross L. 1 & 2 Rock avant sur D (1), revenir sur G (&), reculer D (2). 12.00. 3 & 4 Reculer G (3), ...
email: [email protected] • www.editions-bim.com ... This includes in particular copying, translations, microfilming, storage in and processing with ...
for tuba and rhythm section (2005 - 9'). Written for and commissioned by Velvet Brown. (electric guitar, bass guitar, triangle, finger cymbals, snare drum, bass ...
C.O.U.N.T.R.Y. Uve Kramer. Sold. 416. Intro. Partie 1. Partie 2. Break. Partie 3. Partie 4. End. Circle left. Allemande left. Do sa do. Allemande left. Weave the ring.
