sd tone chart

SH-13 / DimebuckerTM. Ceramic Bar. 16.25k. 5.10KHz. 6/5/8. Four Con. •. •. •. Searing, crushing metal tone that was Dimebag's legacy. SH-14 / Custom FiveTM.
292KB taille 20 téléchargements 489 vues
sd tone chart

SEYMOUR DUN C AN

key

D.C. Resistance Neck Bridge

Magnet

Resonant Peak Neck Bridge

EQ Bass/Mid/Treb

Cable

SEYMOUR DUNCAN HUMBUCKERS & TREMBUCKERSTM APH-1 / Alnico II Pro SH-55 / Seth Lover ModelTM SHPG-1 / Pearly GatesTM SH-1 / 59 ModelTM SH-3 / Stag MagTM SH-2 / Jazz ModelTM SH-10 / Full Shred SH-12 / George Lynch Screamin’ DemonTM SH-13 / DimebuckerTM SH-14 / Custom FiveTM SH-4 / JB ModelTM SH-5 / Duncan CustomTM SH-6 / Duncan DistortionTM SH-8 / InvaderTM SH-11 / Custom CustomTM PATB-1 / Original Parallel AxisTM PATB-2 / Distortion Parallel AxisTM PATB-3 / Blues Saraceno Parallel AxisTM ModelTM PA-STK1N / Parallel AxisTM Single Coil Stack® LW-CH1 / LivewireTM Classic Humbucker LW-HMET / LivewireTM Metal Humbucker TM

MINI-HUMBUCKERS SM-1 / Vintage SM-2 / Custom SM-3 / SeymourizedTM

6.40KHz 10.50KHz 7.50KHz 1.20KHz

• • • • • • • • • • • • • • • • • • • • •

7.57k 16.41k 11.60k

7.00KHz 9.00KHz 7.00KHz

6.00KHz 4.00KHz 4.80KHz

5/4/6 5/6/6 7/5/6

1-Con Braid Shield Four Con. Four Con.

• • •

• • •

• • •

Classic Firebird sound Aggressive upper mids — great for slide Fuller and smoother take on the original

9.35k 14.90k 14.61k 15.84k 8.49k

4.30KHz 5.10KHz 4.50KHz 3.10KHz* 6.30KHz

3.80KHz 4.70KHz 3.50KHz 3.00KHz* 6.05KHz

5/5/7 6/6/5 6/5/6 5/6/6 6/5/7

Single Con. Single Con. Single Con. Four Con. Single Con.

• • • • •

• • • • •

• • • • •

Sweet & smooth — ‘50s soapbar tone Pronounced upper mids — plenty of cut Big, Punchy, Fun. Great P-90 tone — no hum Real deal P-90 tone for humbucker equipped guitars

Alnico V Bar Small Ceramic Large Ceramic Alnico V Bar Alnico II Bar

8.22k 11.86k 12.00k 10.68k 7.98k

Magnet

D.C. Resistance Tapped Full

7.10KHz 8.14KHz 7.50KHz 6.80KHz 8.00KHz 8.00KHz

6.50KHz 8.00KHz 6.90KHz

Resonant Peak Tapped Full

EQ Bass/Mid/Treb

Cable

SEYMOUR DUNCAN PICKUPS FOR STRAT TRUE SINGLE COILS Alnico II Rods Alnico II Rods Alnico V Rods Alnico V Rods Alnico V Rods .25” Alnico V Rods .25” Alnico V Rods Alnico V Rods Alnico V Rods Alnico II & V Rods Alnico II & V Rods Alnico VI Bar Alnico II Rods Magnet

8.80k 6.90k 7.00k 6.60k

6.40k 6.40k 6.50k 6.60k 16.40k 13.30k 14.80k 13.00k 12.90k 6.70k 6.90k 4.30k 8.27k

D.C. Resistance Neck Bridge

5.30KHz 5.50KHz 5.50KHz 6.00KHz 6.00KHz

9.00KHz 9.00KHz 10.00KHz 9.00KHz 4.40KHz 4.80KHz 4.80KHz 4.90KHz 4.90KHz 8.20KHz 7.90KHz 9.40KHz 5.60KHz

Resonant Peak Neck Bridge

Ceramic Bar Ceramic Bar Ceramic Bar Ceramic Bar Ceramic Bar Ceramic Bar Ceramic Bar Alnico V Rods Ceramic Bar Alnico II Rods Alnico II Rods

*In series ** In parallel ***Both coils † middle 9.75KOhms / 5.45 KHz

10.80k 9.40k 2.31k** 2.60k** 9.60k 9.72k 9.86k 9.62k † 13.20k

16.90k 10.30k 2.67k** 3.00k** 16.09k 13.35k 11.78k 10.36k † 20.60k

4.80KHz, 5.20KHz 8.50KHz 7.20KHz 5.00KHz 4.60KHz 5.80KHz 5.70KHz 6.50KHz 8.50KHz 8.50KHz

3.50KHz 4.00KHz 7.80KHz 6.80KHz 3.60KHz 4.50KHz 4.60KHz 5.20KHz 6.00KHz 8.50KHz 8.50KHz

5/4/7 5/4/7 5/3/9 5/3/9 4/7/5 5/4/6 5/4/6 5/4/7 5/4/7 5/5/6 5/5/6 6/4/8 5/5/7

EQ Bass/Mid/Treb

SEYMOUR DUNCAN PICKUPS FOR STRAT® SINGLE COIL-SIZED HUMBUCKERS SHR-1 / Hot RailsTM SCR-1 / Cool RailsTM SVR-1 / Vintage RailsTM SDBR-1 / DuckbuckersTM SJBJ-1 / JB Jr.TM SLSD-1 / Li’l Screamin’ DemonTM SL59-1 / Little ‘59TM STK-S4 / Stack Plus STK-S2 / Hot StackTM LW-CS1 / LivewireTM Classic LW-HS1 / LivewireTM Hot

hum cancelling players pick

single coil pro shop hum cancelling players pick The ultimate vintage blues humbucker Seymour’s tribute to the father of the humbucker — warm and smooooth Texas tone with top end sizzle hum cancelling pro shop playersgoing pick back to 1959 and buying a new P.A.F. Imagine Built to be split and sound like a single-coil should Clear and articulate — the consumate neck humbucker players pick pro shopto give tonal control in high-gain situations Designed Great cabinet “thunk” on the low end — screamin’ harmonics on the high end Searing, crushing metal tone that was Dimebag’s legacy pro shop Optimum balance of warmth, punch, power and clarity Singing and mid-range perfect — the pickup that started it all P.A.F. on steroids — loud and proud Aggressive harmonics — low end chunk Think — interplanetary tonal invasion by hostile forces Smooth bottom end — very aggressive top end Modern hi-fi sound — exceptional sustain Huge sound with great top end definition Big P.A.F. sound for vibrato-equipped guitars Classic single coil sound with benefits of Stack and Parallel Axis designs Hi-fi balanced tone Bone crushing distortion - ear plugs advised…

Output/Type/User

®

APS-1 / Alnico II ProTM Staggered APS-2 / Alnico II ProTM Flat SSL-1 / Vintage Staggered SSL-2 / Vintage Flat SSL-3 / Hot SSL-4 / Quarter-PoundTM Flat SSL-7 / Quarter-PoundTM Staggered SSL-6 / Custom Flat SSL-5 / Custom Staggered SSL52-1 / Five-Two TM SSL52-1b / Five-Two Custom Bridge SLS-1 / Lipstick Tube for Strat APST-1 / Twang BangerTM

pro shop

• • • • • • • • • • • • • • • • • • • • •

7.85k 8.10k 8.35k 8.13k 16.20k 7.90k 14.60k 10.00k 16.25k 14.4k 16.40k 14.10k 16.60k 16.80k 14.40k 15.70k 21.30k 9.80k

SEYMOUR DUNCAN P-90 SOAPBARS SP90-1 / Vintage P-90 Soapbar SP90-2 / Hot P-90 Soapbar SP90-3 / Custom P-90 Soapbar STK-P1 / P-90 Stack SPH90-1 / Phat Cat

single coil hum cancelling

• • • • • • • • • • • • • • • • • • • • •

6.54k 8.52k 6.29k

6.80k

single coil moderate output Output/User/Type Description

pro shop players pick

Four Con. 1-Con Braid Shield Four Con. 1-Con Braid Shield Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Two Con. Shielded Two Con. Shielded

Alnico V Bar Ceramic Bar Alnico V Bar

7.50k

high output moderate output

single coil or hum-cancelling

7/4/8 6/4/8 6/5/9 6/3/8 4/3/6 5/3/9 4/4/8 5/4/9 6/5/8 6/3/8 5/6/8 7/6/9 5/8/9 7/8/4 3/7/7 5/4/7 5/6/7 6/3/6 5/2/9 5/4/9 7/9/5

7.60k 7.20k 7.30k 7.43k

12.70k 7.20k

players’ pick or pro

high or moderate

single coil

TYPEmoderate output

6.70KHz 5.90KHz 6.50KHz 6.00KHz 6.50KHz 7.00KHz 5.50KHz 7.00KHz 5.10KHz 5.40KHz 5.50KHz 6.00KHz 5.50KHz 5.00KHz 5.20KHz 4.50KHz 3.90KHz 6.00KHz

Alnico II Bar Alnico II Bar Alnico II Bar Alnico V Bar Alnico II Rods Alnico V Bar Alnico V Bar Alnico V Bar Ceramic Bar Alnico V Bar Alnico V Bar Ceramic Bar Ceramic Bar Ceramic Bar Alnico II Bar Alnico V Bar Ceramic Bar Alnico V Bar Ceramic Bar Alnico II Bar Alnico V Bar

7.72k 7.40k

hum cancelling players pick TO N E T Hhigh AToutput S E TS YOUUSER A PA RT OUTPUT

5/7/4 5/4/5 6/3/9 5/3/9 4/6/5 6/4/6 6/5/7 5/4/8 4/5/6 7/2/9 5/8/6

Single Con. Cloth Single Con. Cloth Single Con. Cloth Single Con. Cloth Single Con. PVC Single Con. PVC Single Con. PVC Single Con. PVC Single Con. PVC Single Con. Cloth Single Con. Cloth Two Con. Shielded Single Con. Cloth Cable Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. 3-Con. Shielded Four Con. Two Con. Shielded Two Con. Shielded

• • • • • • • • • • • • •

• • • • • • • • • • • • •

• • • • • • • • • • • • •

Output/Type/User

• • • • • • • • • • •

• • • • • • • • • • •

• • • • • • • • • • •

®

P C: MS 95 26 M 85 :9 /L 7 iv Y: e w 9 K: ire 2 s,

Te le

P C: MS 95 2 7 M :9 5

=

Description

P C: MS 2 12 mid-range — smooth distortion Vintage tone with pronounced Same great tone withMmodern 35 string balance 28 bright, Vintage Strat “quack”:— angular distortion /Sstring Like SSL-1 — but with modern balance t Y Mucho output — mucho tone :9 ev 2 eB Big note — similar to P-90 K: a Vintage tone times twenty 0 ile Beefed up Strat tone SRV-tone for folks who play with .009s y = Best of both worlds — bright, springy bottom, smooth top ®

P C : MS 0 M :

®

The Five-Two with more output for the bridge position Bright jangly tone with an ultra hip look Big-time twang injection for your Strat® Description

P C: MS 5 5 41 M 8/ :4 R e 2 fe Y: r e 58 n K: ce = 3

High output humbucker in a single coil size Smooth, bluesy and big — great for neck Classic Strat® tone and quiet Great vintage tone — without the hum JB humbucker in a single coil size Screamin’ Demon humbucker in a single coil size ‘59 humbucker in a single coil size Pat. pending technology keeps the classic tone but kills the hum “Overwound” Strat® sound without hum Studio quiet, hi-fi Strat® tone with great dynamics Aggressive sound with plenty of cut

P C: MS 0 15 M 8 : 6 /E 0 d Y: it 94 K

Resistance SEYMOUR DUND.C. C AN Magnet

Tapped Full

Resonant Peak Tapped Full

EQ Bass/Mid/Treb

TO N E T H AT S E TS YOU A PA RT

Cable

Output/User/Type

SEYMOUR DUNCAN PICKUPS FOR TELE® STL-1B / Vintage for Broadcaster Lead STL-1 / Vintage ‘54, Lead STR-1 / Vintage Rhythm STL-2 / Hot Lead STR-2 / Hot Rhythm STL-3 / Quarter-PoundTM Lead STR-3 / Quarter-PoundTM Rhythm APTL-1 / Alnico II ProTM Lead APTR-1 / Alnico II ProTM Rhythm APTL-3JD / Jerry Donahue ModelTM Lead STL52-1 / Five-TwoTM Lead STR52-1 / Five-TwoTM Rhythm STK-T1N / Vintage Stack Rhythm STK-T3B / Vintage Stack Lead STK-T2B / Hot StackTM ST59-1B / Little ‘59TM STHR-1B / Hot RailsTM

Alnico V Rods Alnico V Rods Alnico V Rods Alnico V Rods Alnico V Rods .25” Alnico V Rods Alnico V Rods Alnico II Rods Alnico II Rods Alnico II Rods Alnico 11 & V Alnico 11 & V Alnico V Rods Alnico V Rods Alnico V Bar Ceramic Bar Ceramic Bar

7.60k 7.20k 7.30k 7.40k 15.60k 9.70k 8.00k 17.38k 6.60k 11.80k 6.20k 8.10k 7.80k 7.50k 7.90k 7.90k* 15.88k 9.00k* 18.00k 10.70k*21.40k 17.00k 14.80k

Magnet

D.C. Resistance Neck Bridge

8.20KHz 6.10KHz 8.30KHz

8.50KHz 9.00KHz 8.00KHz 5.00KHz 8.00KHz 3.50KHz 6.00KHz 8.50KHz 8.00KHz 6.63KHz 5.70KHz 10.00KHz 7.30KHz 7.50KHz 6.00KHz 3.40KHz 2.50KHz

Resonant Peak Neck Bridge

3/7/8 3/6/9 5/3/4 5/6/5 6/4/5 7/5/7 8/5/5 5/2/5 6/3/4 5/5/7 5/4/7 6/4/4 6/4/6 6/4/4 5/6/6 6/6/5 5/9/4 EQ Bass/Mid/Treb

Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Four Con. Four Con. Four Con. Four Con. Four Con.

Cloth Cloth Cloth PVC PVC PVC PVC Cloth Cloth Cloth Cloth Cloth

Cable

Alnico V Rods Alnico V Rods .25” Alnico V Rods Alnico V Rods Alnico V Rods .25” Alnico Rods Alnico VI Bar

6.50k 11.50k 11.74k 7.75k 10.95k 11.85k

6.80k 12.31k 13.96k 8.40k 14.11k 12.97k 4.30k

6.30k 7.30k

Alnico V Rods Alnico V Rods Ceramic Bar Ceramic Bar

Single Con. Cloth Single Con. PVC Single Con. PVC Single Con. Cloth Single Con. PVC Single Con. PVC Two Con. Shielded

• • • • • • •

• • • • • • •

• • • • • • •

7.00KHz 6.50KHz 9.20KHz

6.80KHz 5.50KHz 8.10KHz

8/4/7 8/4/7 6/4/7

Two Con. Two Con. Two Con.

• • •

• • •

• • •

3.20KHz

6/4/7 6/4/7 6/4/9 7/4/9

Two Two Two Two

• • • •

• • • •

• • • •

5.10KHz 4.50KHz 4.30KHz 8.00KHz 6.90KHz

4.90KHz 3.80KHz 3.90KHz 7.00KHz 5.50KHz

6/4/6 4/6/4 7/3/6 7/5/6 6/6/6

Single Con. Cloth Single Con. PVC Single Con. PVC Four Con. Four Con.

• • • • •

• • • • •

• • • • •

4.80KHz 4.90KHz 5.10KHz

4.90KHz 4.90KHz

6/8/7 6/5/8 7/5/7

Two Con. Shielded Two Con. Shielded Two Con.

• • •

• • •

• • •

11.60KHz 7.14KHz 10.20KHz 6.00KHz 4.30KHz 4.50KHz

5/4/5 5/6/5 7/4/6 5/7/7 5/5/8 6/8/8

Single Single Single Single Single Single

• • • • • •

• • • • • •

• • • • • •

4/4/7 6/4/7 7/8/6 8/8/5 7/8/6 8/8/5

Four Four Four Four Four Four

Con. Con. Con. Con. Con. Con.

• • • • • •

• • • • • •

• • • • • •

Traditional, powerful, punchy tone with enhanced highs High Mid-’70s warmth with punch

Two Con. Two Con.

• •

• •

•• ••

Enhanced highs make harmonics “pop” Same size as ASB-6 “Phase I”

6.80KHz 6.80KHz 4.22KHz 4.22KHz

5.03KHz

Con. Con. Con. Con.

Alnico V Rods Alnico V Rods .25” Alnico V Alnico V Rods Alnico V Rods

9.20K 9.50K 15.02K 16.60K 13.90K 14.61K 11.60K 20.50K 17.80K 25.20K

BASSLINES PICKUPS FOR 5-STRING JAZZ BASS® 67/70 & 70/74 / 5-String Passive Single Coils AJB-5 / Active 5-String SJB-5 / 5-String Stack

Alnico V Rods Ceramic Bar Ceramic Bar

7.80K 8.20K 13.0K 8.00K 11.37K 20.11K

BASSLINES PASSIVE PICKUPS FOR P-BASS® SPB-1 / Vintage for P-bass® SPB-2 / Hot for P-bass® SPB-3 / Quarter-PoundTM for P-Bass® SCPB-1 / Vintage for single coil P-Bass® SCPB-2 / Hot for single coil P-Bass® SCPB-3 / Quarter-PoundTM for s/c P-Bass®

Alnico V Rods Alnico V Rods .25” Alnico V Alnico V Rods Alnico V Rods .25” Alnico V Rods

11.60K 22.40K 12.50K 7.98K 14.14K 11.81K

Con. Con. Con. Con. Con. Con.

BASSLINES PICKUPS FOR RICKENBACKER® & MUSIC MAN® BASS SRB-1N / Rplcmt. for Rickenbacker® Bass SRB-1B / Rplcmt. for Rickenbacker® Bass SMB-4D / 4-String Rplcmt. for Music Man® SMB-4A / 4-Str. Alnico Rplcmt. for Music Man® SMB-5D / 5-Str. Rplcmt. for Music Man® SMB-5A / 5-Str. Alnico Rplcmt. for Music Man®

Ceramic Bar Alnico V Ceramic Bar Alnico II Rods Ceramic Bar Alnico II Rods

9.0K 8.30K 2.60K* 4.18K* 2.90K* 5.01K*

11.00KHz 8.00KHz 9.40KHz** 9.90KHz** 7.80KHz** 8.35KHz**

BASSLINES STEVE BAILEY FUNDAMENTAL FRETLESS (ACTIVE PICKUPS) AJB-2ASB / Pickup, Preamp System, 4-, 5-Str. ASB-2ASB / Pickup, Preamp System, 6-Str. *Each coil **In parallel

Ceramic Bar Ceramic Bar

8.20KHz 8.00KHz

6.80KHz 7.10KHz

6/5/7 8/4/7

Cloth PVC PVC Cloth PVC PVC

P C: MS 95 2 7 M :9 5

Description

5/3/9 7/6/6 8/5/7 4/6/6 8/4/5 9/5/6 6/4/8

BASSLINES PASSIVE PICKUPS FOR 4-STRING JAZZ BASS® SJB-1 / Vintage SJB-2 / Hot SJB-3 / Quarter-PoundTM STK-J1 / Classic Stack® STK-J2 / Hot Stack

More “nasal” Broadcaster® sound Classic ‘50s Tele® sound Smooth and warm A bolder, more aggressive sound than the STL-1 Balances great with STL-2 Great classic rock tone Balances great with STL-3 Vintage output with more warmth Creamy and smooth Punchy and exceptionally well-balanced Alnico V on the low strings for more brightness and twang and... Alnico II on the high strings to smooth out the tone Perfect rhythm match for STK-T3b Classic Tele® looks and tone with no hum Overwound sound with no hum P.A.F. tone with a twang-injection Make your Tele® rock!

10.00KHz 4.50KHz 4.00KHz 8.81KHz 5.21KHz 5.00KHz 9.40KHz

BASSLINES ACTIVE PICKUPS FOR 4-STRING JAZZ BASS® & P-BASS® APB-2 / Lightnin’ RodsTM for P-Bass® AJJ-2 / Lightnin’ RodsTM for Jazz Bass® APB-1 / Pro-ActiveTM for P-Bass AJJ-1 / Pro-ActiveTM for Jazz Bass

• • • • • • • • • • • • • • • • •

10.20KHz 5.10KHz 4.80KHz 9.00KHz 6.50KHz 5.20KHz

BASSLINES ACTIVE & PASSIVE SOAPBARS ASB-5, -6 / 5-String “Phase I” , 6-String “Phase I” ASB2-5, -6 / 5-String “Phase II” , 6-String “Phase II” SSB-4, -5 / Passive Soapbars Ceramic Bar

• • • • • • • • • • • • • • • • •

Output/User/Type

SEYMOUR DUNCAN PICKUPS FOR JAGUAR®, JAZZMASTER® & DANOLECTRO® SJAG-1 / Vintage for Jaguar® SJAG-2 / Hot for Jaguar® SJAG-3 / Quarter-PoundTM for Jaguar® SJM-1 / Vintage for Jazzmaster® SJM-2 / Hot for Jazzmaster® SJM-3 / Quarter-PoundTM for Jazzmaster® SLD-1 / Lipstick Tube for Danolectro®

• • • • • • • • • • • • • • • • •

Description

Classic ‘60s Jaguar® tone Enhanced mid-range boost Warmer, fuller, bigger Ventures tone Warm and jazzy Bright and punchy — with a harder edge Lively, bright and jangly

P C: MS 95 26 M 85 :9 /L 7 iv Hi-fidelity sound — with a smooth, broad response Y: e w Similar to Phase 1’s, but slightly harder attack with more punch 9 K: ire 2 s,

T

el Keeps the feel and “airspace” of a vintage P-Bass®, with faster response e Keeps the feel and “airspace” of a ‘62, with faster response Modern tone for a P-Bass® and no brittleness A broad tonal response for a Jazz Bass® but without the brittleness PM

Authentic repros in C sound S and appearance Heavier mid-range :emphasis 2 12 that works great for rock M harder Similar to Hot but with 35 attack and frequency response :2 of Captures the sound & feel the originals — but without the hum / thicker sounding 8 Similar to Classic Stack — but S

Y: te 92 v e K: Ba of a ‘62, but for 5-string. Captures the tone, feel and articulation 0 ilresponse Blade-type, higher output, with strong ey Blade-type, flat response system, best used = with Tone Circuits

=

P C : MS 0 M :

TM

Warm and woody and vintage correct Boosted mids for a rockin’ vibe Expands the versatility of a single pickup P-Bass® PM C: S The real deal. Like going back home 55 41 Enhanced mids. Rocks! Really expands the versatility of a single pickup bass M 8

:4 /Re 2 fe Y: re The neck is fuller and rounder than original 58 n Bridge pickup is hotter, fatter and punchier than original Traditional, powerful, punchy tone with enhanced highs K: ce = Mid-’70s warmth with punch 3

P C : MS 0 15 M 8 :6 /E 0 d Y: it 94 K